A common topic of controversy and disdain is the matter of the middle: batting. Many a quilter holds firm to their convictions about the fluffy stuff tucked between the layers of their treasures. Some stand firm on the tried but true poly blends and others snub their noses at anything less that all natural wool/cotton. Novice quilters spend their time toting home precut bags of fabric-store-stuff, just relieved it didn't cost too an arm and a leg. Over my years of quilting I have tried them all..from poly to natural..high loft to low..and all the stores had to offer- I even quilted a few with straight flannel middles, and one with a fleece backing. Let's get up close and personal with what happens in the middle.
The first thing to understand about the middle is the purpose. What is the purpose of your quilt and what is the purpose of the middle stuff. These two answers direct my choice of stuff in the middle. Example. An art quilt, such as the pine cone water color you see will never darken the door of a washing machine nor will it snuggle little bodies..it will hang on a wall. Therefore, the quilt needs a middle that offers stability and holds up well to heavy quilting. In contrast, the tractor quilt in the frame above is intended for cuddling on the couch. It needs soft durability for occasional washing and lends well to hand quilting. Two very different quilts with two very different purposes each having different 'middle needs'.
Okay. Now with our purpose in mind, let's hop in our car and hit the local fabric shop. Generally the batting section is a tiny afterthought tucked discreetly in a corner or along a back wall. It holds some prepackaged foam, stuffing and a handful of standard cut batting rolls. Not far from here is a small free standing set of batting on the bolt. I have used both precut and bolt cut..let me say I prefer bolt cut for two reasons: 1. packaged batting has creases that can be a pain to work with 2. size limitations. Generally I keep several yards worth of bolt cut batting on hand in my sewing cabinet. With this in mind, our next consideration is poly blend versus natural fiber.
Many of my quilts have been made with poly blended batting because that is what my store carried..only recently did I find natural blends locally. When I put a poly blend sample next to a natural blend sample the first thing noticeable is the density. Poly blends are fairly see through and if tugged on, easily loose their shape to the point they can come apart. Natural blends are much more dense and while they have nice give when tugged, they hold their shape and are not easily torn apart. I love the durability and strength of the naturals, but they are a bit pricey. Another reason many of the quilts I have already completed had the poly blends.. my attempt to keep cost down, but having used the naturals for a few commission quilts..I may never go back if I can help it.
Last consideration is the loft. Loft is the fluff factor of the middle fiber...do we want lots of poof or not. Let me tell you..I only use low loft batting because high loft is a pain to work with. Hand working a needle through multiple layers of fabric is hard enough..add some serious poof and you take difficult to a new level. I don't do it. So where loft is considered, I only use low loft..period.
My early practice quilts were put together with whatever batting scraps I could glean from family stashes or remnant bins. This offered me some vast experience with batting experimentation. Availability and cost effectiveness led me to the poly fabrics and I still find them quite useful in the newer art quilts my daughter is designing. When finances allow it, I place my purchase for the softer natural blends that offer stability and comfort for baby and bed quilts. It is worth the price. What do I recommend for you? Spend some time with the batting in the store. If it's on a bolt.. touch it..you will spend a lot of time with it so be sure you like how it feels. Then, consider your purpose..wall quilts really do not need the expensive stuff, but a snuggle blanket for your loved ones would be greatly enhanced by a natural blend.
Have questions about this or other quilting topics? Feel free to leave them in the comment box or email me at simplyscaife@yahoo.com.
The first thing to understand about the middle is the purpose. What is the purpose of your quilt and what is the purpose of the middle stuff. These two answers direct my choice of stuff in the middle. Example. An art quilt, such as the pine cone water color you see will never darken the door of a washing machine nor will it snuggle little bodies..it will hang on a wall. Therefore, the quilt needs a middle that offers stability and holds up well to heavy quilting. In contrast, the tractor quilt in the frame above is intended for cuddling on the couch. It needs soft durability for occasional washing and lends well to hand quilting. Two very different quilts with two very different purposes each having different 'middle needs'.
Okay. Now with our purpose in mind, let's hop in our car and hit the local fabric shop. Generally the batting section is a tiny afterthought tucked discreetly in a corner or along a back wall. It holds some prepackaged foam, stuffing and a handful of standard cut batting rolls. Not far from here is a small free standing set of batting on the bolt. I have used both precut and bolt cut..let me say I prefer bolt cut for two reasons: 1. packaged batting has creases that can be a pain to work with 2. size limitations. Generally I keep several yards worth of bolt cut batting on hand in my sewing cabinet. With this in mind, our next consideration is poly blend versus natural fiber.
Many of my quilts have been made with poly blended batting because that is what my store carried..only recently did I find natural blends locally. When I put a poly blend sample next to a natural blend sample the first thing noticeable is the density. Poly blends are fairly see through and if tugged on, easily loose their shape to the point they can come apart. Natural blends are much more dense and while they have nice give when tugged, they hold their shape and are not easily torn apart. I love the durability and strength of the naturals, but they are a bit pricey. Another reason many of the quilts I have already completed had the poly blends.. my attempt to keep cost down, but having used the naturals for a few commission quilts..I may never go back if I can help it.
Last consideration is the loft. Loft is the fluff factor of the middle fiber...do we want lots of poof or not. Let me tell you..I only use low loft batting because high loft is a pain to work with. Hand working a needle through multiple layers of fabric is hard enough..add some serious poof and you take difficult to a new level. I don't do it. So where loft is considered, I only use low loft..period.
My early practice quilts were put together with whatever batting scraps I could glean from family stashes or remnant bins. This offered me some vast experience with batting experimentation. Availability and cost effectiveness led me to the poly fabrics and I still find them quite useful in the newer art quilts my daughter is designing. When finances allow it, I place my purchase for the softer natural blends that offer stability and comfort for baby and bed quilts. It is worth the price. What do I recommend for you? Spend some time with the batting in the store. If it's on a bolt.. touch it..you will spend a lot of time with it so be sure you like how it feels. Then, consider your purpose..wall quilts really do not need the expensive stuff, but a snuggle blanket for your loved ones would be greatly enhanced by a natural blend.
Have questions about this or other quilting topics? Feel free to leave them in the comment box or email me at simplyscaife@yahoo.com.